Gaming.

Spil, hardware og e-sport.

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Ny Street Fighter-trailer viser konflikt som ingen havde regnet med - Filmz Legendary har offentliggjort en ny trailer til filmatiseringen af Street Fighter, hvor Ryu og Ken står centralt i historien. Traileren antyder, at Ryu kæmper med Dark Hadou, mens Ken forsøger at træde ud af sin rivals skygge under World Warrior-turneringen. Den viser også blandt andre E. Honda, Chun-Li, Guile, Akuma, Vega, Balrog og Cammy. Filmen får biografpremiere 16. oktober.

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Spilanmeldelse: Assassins Creed Black Flag Resynced - recordere.dk Anmeldelsen vurderer Assassin’s Creed Black Flag Resynced, der opdaterer Ubisoft-klassikeren med markant flottere grafik til PS5. Piratstemningen, den åbne verden, Edward Kenway og søslagene fungerer stadig overbevisende, mens skibsopgraderinger giver en god følelse af progression. Parkour og styring virker dog en smule daterede, fordi gameplayet stort set er bevaret fra originalen fra 2013.

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How to Watch the September 2026 Nintendo Direct and Zelda 40th Anniversary Direct Nintendo sender to Direct-præsentationer på hinanden følgende dage i september 2026. Den første, den 8. september, fokuserer på The Legend of Zeldas 40-års jubilæum, mens en generel Nintendo Direct den 9. september vil præsentere kommende spil til Nintendo Switch 2. IGN forventer blandt andet nyt om genindspilningen af Ocarina of Time og Nintendos øvrige spilplaner.

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Valve Dev Confesses Studio Intentionally Leaked a Left 4 Dead 2 Trailer After the ESRB Blocked It from Release Tidligere Valve-forfatter Chet Faliszek fortæller, at Valve bevidst lækkede en trailer til Left 4 Dead 2, efter ESRB havde blokeret den officielle udgivelse. Traileren, som blev offentliggjort omkring en måned før spillets lancering i 2009, indeholdt voldsomt zombieindhold og fik efterfølgende sproget nedtonet. Spillet blev senere en stor kritiker- og publikumssucces.

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Wolverine Dev Clears the Air After Trailer Causes Fans to Believe Psylocke Is in the Game Insomniac Games har præciseret, at den lilla sværdkæmpende figur i traileren til Marvel’s Wolverine er Lady Deathstrike og ikke Psylocke. Forvekslingen opstod blandt fans på grund af figurens energisværd, selv om hendes udseende og kløer peger på Lady Deathstrike. Spillet udkommer eksklusivt til PlayStation 5 den 15. september 2026.

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Rebel Wolves Confirms The Blood of Dawnwalker Reached 1 Million Copies Sold in Just 2 Days Det enspillerbaserede action-rollespil The Blood of Dawnwalker har solgt over én million eksemplarer på blot to dage efter lanceringen. Spillet udkom 3. september til pc, PlayStation 5 og Xbox Series X/S og er Rebel Wolves’ første store udgivelse. Titlen foregår i et mørkt fantasyunivers i 1300-tallets Europa og kombinerer spillerens valg med en hovedperson, der er menneske om dagen og vampyr om natten.

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The Best Deals Today: Nintendo Switch 2 Consoles, Granblue Fantasy: Relink, Fire Emblem: Fortune's Weave, and More - IGN IGN samler dagens tilbud på Nintendo-spil og Nintendo Switch 2. Blandt tilbuddene er en istandsat Switch 2-konsol, Dragon Quest I & II HD-2D Remake, Tomodachi Life: Living the Dream og Zelda: Breath of the Wild – Switch 2 Edition. Der er også åbnet for forudbestillinger af Fate/Extra Record, mens fysiske udgaver af Fire Emblem: Fortune's Weave kan købes med rabat.

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Tomb Raider: Legacy of Atlantis Has Incredible Potential, but Modern Additions Like Skill Trees and Hand-Holding Risk Undermining What Made the Original Great En forhåndsvisning af Tomb Raider: Legacy of Atlantis fremhæver spillets imponerende grafik og moderne fortolkning af den klassiske Damocles Room. Anmelderen mener dog, at nye elementer som skill trees, crafting og overlevelsesmekanik passer dårligt til Laras eventyr og svækker seriens tone. Spillet forsøger samtidig at samle flere forskellige versioner af Lara Croft i én samlet tidslinje.

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Is it Finally Time for 3D Mario? 14 Predictions for the September 2026 Nintendo Direct and Zelda 40th Anniversary Direct IGN-journalisten Logan Plant fremsætter 14 forudsigelser for Nintendos kommende Direct-præsentationer den 8. og 9. september 2026. Han forventer blandt andet en større afsløring af en genindspilning af The Legend of Zelda: Ocarina of Time, muligvis med udgivelsesdato, nye amiibo og en Zelda-tematiseret Switch 2. Artiklen omtaler også mulige nyheder om Zelda-filmen, Nintendo Switch Online og Twilight Princess.

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'No One Puts Double Fine Out of Business Except for Me' — Tim Schafer Explains Double Fine's 'Creative Awakening' After Leaving Xbox Double Fine er blevet selvstændigt, efter at Xbox solgte studiet fra som led i en større omstrukturering. Studiet beholdt sine intellektuelle rettigheder, men måtte afskedige omkring en fjerdedel af medarbejderne. Tim Schafer siger, at holdet fortsat arbejder på nye spil, blandt andet et Kickstarter-projekt, der potentielt kan føre til udviklingen af Brutal Legend 2.

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gamescom Apologizes for Its Response to Theft of Indie Developers' Equipment and Promises Improved Security Measures gamescom undskylder sin første reaktion på tyverier af udvikleres udstyr under årets messe. Den oprindelige udmelding blev kritiseret for at lægge ansvaret på de berørte udstillere. Arrangøren vil nu gennemføre en særskilt sikkerhedsgennemgang og invitere arrangører af indie-stande til et møde om konkrete forbedringer. Flere i spilbranchen har desuden tilbudt de berørte udviklere hjælp.

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Halloween: The Game Review So Far - IGN IGNs foreløbige anmeldelse af Halloween: The Game beskriver et asymmetrisk horrorspil med gode idéer, men også alvorlige tekniske problemer. Spillet lider blandt andet af nedbrud, fejlbehæftede animationer, ustabil kamp, dårlig NPC-kunstig intelligens og problemer med lyd og interaktioner. Michael Myers er underholdende at spille, men spillet fremstår ifølge anmeldelsen langt fra færdigpoleret.

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The Fury of Dracula Board Game Is a Supernatural Horror Game of Cat and Mouse All the Right Ways IGN anmelder femte udgave af brætspillet Fury of Dracula, hvor én spiller skjuler Dracula, mens op til fire jægere forsøger at opspore ham. Udgaven tilføjer Jonathan Harker som valgfri jæger og en hurtigere spilvariant, men anmelderen er usikker på balancen. Spillets intense jagt og taktiske kampe roses, mens den nye sort-hvide kunstneriske stil vurderes som et tilbageskridt. Spillet får karakteren 8 ud af 10.

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'We Take Copyright Infringement Very Seriously' — Tetris Responds After the White House Launches 'Build the Wall' on Arcade Website Tetris Company reagerer på Det Hvide Hus’ nye spilside Arcade.Gov, hvor klonen “Build the Wall” indgår blandt flere politiske spil. Virksomheden understreger, at Tetris ikke har forbindelse til spillet, og kritiserer budskabet for at skabe splittelse. Samtidig oplyser selskabet, at det tager mulig krænkelse af ophavsretten alvorligt og undersøger sagen.

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9 Video Game and Movie Trailers You Might Have Missed From This Past Week IGN samler ni trailere fra ugens spil- og filmnyheder. Blandt højdepunkterne er nye kig på filmen Street Fighter og spillene Stranger Than Heaven, Until Dawn 2 og Rhapsody in Scarlet. Også Danny Boyles mediefilm Ink, Netflix-filmen La Bola Negra samt indieplatformspillet Rebounder omtales.

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macOS 26.7 Code Hints at Two Unreleased Apple Game Controllers Kode i en macOS 26.7-releasekandidat henviser til to hidtil ukendte Apple-enheder med profiler for spilcontrollere. De har blandt andet D-pad, analogsticks, knapper og haptik, mens den ene også har accelerometer og gyroskop. Referencerne kan være tegn på controllere under udvikling, men kan også vedrøre internt testudstyr, og Apple fjernede koden i den efterfølgende releasekandidat.

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GTA 6 Extended Look Looks Very Different After Rockstar Reveals Heavily Censored Trailer for China Rockstar Games har udgivet en kraftigt censureret version af den 27 minutter lange GTA 6-trailer på den kinesiske platform Bilibili. Scener med dans, narkotika, seksualitet, rygning og blodige lig er blevet sløret eller fjernet. Ændringerne skulle være foretaget omkring 31. august, og Rockstar samt Take-Two har angiveligt fået genudgivelser af den ucensurerede video fjernet.

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'This Move Reflects the Team’s Evolving Workplace Needs' — Bungie Confirms Plans to Sublease Parts of Its Enormous Bellevue Headquarters Following Mass Layoffs Bungie undersøger muligheden for at fremleje 210.984 kvadratmeter af virksomhedens hovedkvarter i Bellevue i Washington. Spilstudiet oplyser, at beslutningen hænger sammen med en digital-first-model og øget brug af fjernarbejde, men at der fortsat vil være et fysisk kontor. Meldingen kommer efter, at 292 medarbejdere blev afskediget i juni, og efter flere års nedskæringer.

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Every Nintendo Switch 2 Game Confirmed for 2026 IGN har samlet kommende spil til Nintendo Switch 2 med bekræftede udgivelsesdatoer fra september 2026 og frem. Listen omfatter både eksklusive titler, tredjepartsspil og nye udgaver af eksisterende spil, blandt andet Fire Emblem: Fortune’s Weave, LEGO Batman: Legacy of the Dark Knight, Kingdom Hearts Collection og 007 First Light. Flere af spillene udkommer også på andre platforme.

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Today Only, This Simple Trick Can Save You $10 on GTA 6 for Xbox Xbox-ejere kan i dag spare effektivt 10 dollar på Ultimate Edition af Grand Theft Auto 6 ved at købe to Xbox-gavekort hos Newegg med kampagnekoden LDSF373. Tilbuddet gælder kun frem til midnat, mens spillet kan forudbestilles for 99,99 dollar og forhåndsinstalleres fra 12. november. GTA 6 udkommer efter planen 19. november 2026.

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Nvidia Will Eventually Bring DLSS 5 to Older RTX 4000 Graphics Cards, But It'll Probably Run Horribly Nvidia planlægger ifølge en medarbejder at udvide understøttelsen af DLSS 5 til GeForce RTX 40-serien, når optimeringen til RTX 50-serien er længere fremme. Teknologien er foreløbig kun lanceret til RTX 50-kort og kan give markante forbedringer i billedkvalitet, men også et stort ydelsesfald. I en test på et RTX 5090 faldt billedfrekvensen med omkring 43 procent.

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'Let's Make It Happen' — Hideki Kamiya Tells Xbox CEO He's Ready to Make Scalebound When She Is Hideki Kamiya siger, at han fortsat er klar til at genoptage arbejdet på det annullerede action-rollespil Scalebound, hvis Xbox ønsker at gøre projektet til virkelighed. Spillet blev officielt lukket i 2017 efter flere års udvikling hos PlatinumGames. Kamiya leder nu Clovers, som arbejder på Okami 2, men håber, at der en dag opstår en mulighed for at vende tilbage til Scalebound.

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Onimusha: Way of the Sword, IGN's Latest 10/10 Game, Is Out Today — Here's How to Get 18% Off the Steam Version Capcoms actionspil Onimusha: Way of the Sword er udkommet til pc den 4. september 2026. Fanatical sælger i øjeblikket en Steam-nøgle med 18 procent rabat, så prisen er reduceret fra 69,99 til 57,39 dollar. Spillet har fået en positiv modtagelse hos IGN og skulle også køre fornuftigt på Steam Deck.

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30 Open World Game Masterpieces You Need to Play - IGN30 IGN gennemgår 30 markante open world-spil, der har været med til at forme moderne spildesign. Artiklen ser blandt andet på Grand Theft Auto-serien, Shenmue, Mafia 2 og Red Dead Redemption og opdeler spillene efter forskellige typer åbne verdener. Fokus er på, hvordan spillene har udviklet fortælleteknik, miljøer og følelsen af at leve i en vedvarende digital verden.

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Capcom Has Been on a 10-Year Winning Streak, and Onimusha: Way of the Sword’s Design Is the Perfect Demonstration of Why the Publisher Keeps Winning Onimusha: Way of the Sword viser, hvordan Capcom kombinerer seriens historiske særpræg med idéer fra moderne actionspil. Spillet henter blandt andet inspiration fra God of War i niveauer og tone samt fra Sekiro: Shadows Die Twice i sværdkampens parader og rytme. Artiklen fremhæver denne tilgang som en del af forklaringen på Capcoms stærke resultater det seneste årti.

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Tomb Raider: Legacy of Atlantis Has Incredible Potential, but Modern Additions Like Skill Trees and Hand-Holding Risk Undermining What Made the Original Great

En forhåndsvisning af Tomb Raider: Legacy of Atlantis fremhæver spillets imponerende grafik og moderne fortolkning af den klassiske Damocles Room. Anmelderen mener dog, at nye elementer som skill trees, crafting og overlevelsesmekanik passer dårligt til Laras eventyr og svækker seriens tone. Spillet forsøger samtidig at samle flere forskellige versioner af Lara Croft i én samlet tidslinje.

Fra IGN

The first thing that strikes you upon seeing the new Tomb Raider live-demoed on a massive 115” TV mere inches from your face, I can attest, is its visual fidelity: Legacy of Atlantis is absurdly pretty. Crammed with fine detail enough that every particle of dust and bat guano flitting through the stale air poses danger to your airways, it almost feels like it’s supposed to be funny when compared to the chunky textures and pointy polygons of the 32-bit original.

The game’s director Raul Siqueira puts it nicely during our session: “the secret to a good remake is knowing what to change, and what to leave well alone”. Absolutely. Preserving the essence of a thing is much more vital than slavishly recreating the original work, and this is certainly something that Legacy of Atlantis understands, aesthetically at least. It is unmistakably a modern interpretation of Lara Croft’s seminal adventure, an essential piece of gaming history arguably as important as Super Mario Bros. or Chuckie Egg (ask your dad).

This latest preview focuses on LoA’s interpretation of the Damocles Room, the infamous chamber of raining swords that caused instant death for the uncareful while sifting through the tombs of ancient Greece. It’s a frighteningly vertical space, one that cemented Tomb Raider’s reputation for traversal-puzzles and terrifying jumps that make your insides curdle. Legacy of Atlantis preserves these aspects and then some, the feeling of being a tiny speck of human in an impossibly deep cavern of flakey pillars and dusty godrays made all the more potent by the sheer graphical prowess on offer. That fine detail, that premium fidelity, it stretches off into the distance and pulls off a sense of scale that could only be hinted at on PS1 hardware. Or PS2 hardware. Or PS3, for that matter.

And these swords that dangle so menacingly, they’re big. They’re almost house-sized.. The big twist in this version of the Damocles Room is that, rather than being deadly obstacles, the swords are helpful almost to the point of politeness: they’re needed for traversing the space, as Lara can now perch on their hilts after they’ve dropped. And in stark contrast to bat poop, the dropping itself barely poses any danger. The swords are easily dodged, and their drops can be triggered from a safe distance by shooting at them, rendering them little more than another minor inconvenience that Lara gets to solve with hot lead.

Much like the poor leopard she encounters on the way here, on which the camera lingers majestically as she delivers a breathless “magnificent” right before shooting it in the face. I thought this was hilarious and burst out laughing involuntarily, which turned out to be massively out of step with the rest of the room. I even asked the devs about this in the following Q&A: “Is that meant to be funny?”

No, basically. While Lara has no shortage of handy quips, delivered with requisite English public-school plummyness by the wonderful Alix Wilton Regan, this is I’m assured a serious game with a serious tone. So anyone expecting a modicum of self-awareness from this third distinct version of Lara’s original adventure, not counting the recent remaster, will be disappointed.

It highlights a tonal mismatch between the various eras of Lara Croft that this game seeks to blend together. As a nexus point of Crystal Dynamics’ new “unified timeline” for the series, Legacy of Atlantis seeks to replace both the original game and 2007’s Anniversary in the PS1 and Legend timelines, while serving as a sequel to the Survivor Trilogy, which we last visited in 2018’s Shadow of the Tomb Raider. It requires a lot of mental gymnastics to imagine that all of these disparate Laras are the very same bored aristocrat, not least because each of them reflects the time they were conceived in. It’s clear that neither the original games nor the Legend timeline are occurring after the mid-2010s, as clear as it is that this new take on Lara’s original adventure isn’t happening in 1996.

You could argue that it’s all supposed to feel timeless and perpetual, like The Simpsons, but you can’t tell me that pointy PS1 Lara Croft looks like she knows what an iPhone is. There’s also an element of parody to the previous eras, as plenty of Indiana Jones and sixties spy tropes were playfully redeployed as foils for 90s Girl Power, and then again as welcome ballast to the prevailing dourness of post-9/11 Bond movies. A playfulness that the Survivor Trilogy dropped entirely, focusing sharply on the 2010s appropriate misery of being a teenager who unwittingly spends her gap year having to murder dozens of Russian mercenaries while worrying about whether her tetanus shots are up to date.

The point is, all of these flavours of Tomb Raider are distinctly of their time, which is absolutely fine. Smooshing them together into a paste is a weird decision and one that seems to be inspiring some questionable choices, like the inclusion of survival mechanics like crafting and skill trees in this redux of Lara’s original adventure, things that seem to be there just because the last game had them or, worse, because that’s what games are like now. Things that don’t make thematic sense: if this is 2013 Lara finally reaching her prime, her zenith, her most capable self – as the survivor trilogy always promised to be leading to – then why are we still spending the game unlocking her skills?

Why are we “surviving” at all, eating foraged meals cooked in the field, when this isn’t a survival scenario? Lara hasn’t been stranded here, she came to these ruins of her own accord, presumably in a rented jeep. It’s only Greece, you can go on Ryanair for twenty quid. This is a capable explorer who would have a meticulous itinerary and a bag full of protein bars and jerky, she wouldn’t be winging it on the basis of eating boiled moss.

Nor would this classically educated aristocrat seem to need a detective mode scanner thing that gives her puzzle hints and provides handy historical commentary. In fairness, its usage is entirely optional, and seems to be there to address a common criticism of the more recent Tomb Raiders, namely that Lara seems to spend a lot of time chatting to herself.

None of these things are dealbreakers, they’re just prominently questionable choices in a game full of them. As is the decision to employ, then defend, the studio’s use of generative AI in development. Granted, feelings in the community are mixed on this – some care, some don’t, most are probably blissfully unaware of the controversy – but it tends to go down like a shotgunned leopard with enthusiasts, and so using it at all feels like unnecessarily tainting your project before it’s even out.

Because they’ve admitted to using it, it’s hard not to look for evidence of it. I’ll be blunt, the food crafting menus are looking very suspicious. Video game depictions of food are an art form in and of themselves, and often, they are notable for looking absolutely delicious. Who can forget the sweetrolls of Skyrim or the lavish gourmet meals conjured up by Ignis in Final Fantasy 15? In Legacy of Atlantis, though, the food looks kinda disgusting. Despite what the accompanying description says, Lara’s lunches all look rather aptly like slop. Mushy stews of unrecognisable plant matter and meat you’d hesitate to put in a dog.

To be clear, this is all circumstantial – we don’t know for sure if these elements are derived from AI, and the studio for their part has insisted that everything in the final game will be human made or human “refined” – but it demonstrates how damning even a faint association with generative AI can be. Especially if the results are this unappetising.

The game is still many months away from release, and what we’ve seen of it so far is by no means final. There’s time to iron out the kinks and excise the final traces of generative AI that may or may not be plaguing the current build (not that you can un-use genAI any more than a bat can un-shit a temple floor).

As the second remake of a ground-breaking game, Legacy of Atlantis has a lot to live up to. It certainly justifies itself by playing differently from the existing versions: there’s never been a Tomb Raider game quite like this, for better or worse. And though the challenge element has been dramatically reduced in the Damocles Room (and therefore, one presumes, the rest of the adventure), incorporating the giant swords into a traversal puzzle is inspired, and the way it plays out in the demo hints at something fresh: a puzzle with a fixed solution, but multiple routes to reach it.

And it really can’t be stressed enough how beautiful it all is. On a technical level the fidelity in every image is positively retina-searing, but it’s all sumptuously lit and pocked with a gnarly decay that makes the ancient world sing with a sense of history. Lara herself has never looked better, a depiction that successfully blends the slightly cartoony Lara of the Legend trilogy with her naturalistic, mud-caked, cortisol-saturated counterpart of Tomb Raider 2013. New Lara spent her youth avoiding certain death in some of the most deadly corners of the earth, from Syria to Siberia, yet moves with all the balletic flourishes that the Survivor Trilogy sidelined in favour of Uncharted-style handhold grappling. Every jump, flip, and bullet-time whip exudes joy: this is a Lara who revels in being Lara. She even does that handstand backflip thing when hoisting herself onto a platform (in the build we saw, a little too often, but I heavily suspect it was dialled up for this demo).

There’s a lot to love here. A celebration of all Tomb Raiders past and present, one that treats all of the previous eras as equally important to the series’ legacy, is refreshingly inclusive. In these sorts of franchise overhauls, someone’s favourite usually gets overlooked in pursuit of whatever is deemed to be the most iconic or fundamental. To have a project here that treats the whole thing as gospel is admirable, if dauntingly hard to chew.

As someone who grew up with Lara and has enjoyed every iteration of Tomb Raider, I desperately want to be on board for this new, unified journey. But a mixture of dubious choices, mechanical and ethical, are making it a tough sell at the moment. I very much doubt Lara would choose to consume suspicious looking slop if any alternatives were available, and neither should anyone else.

Jim Trinca is a Video Producer at IGN, and when he isn't fawning over Assassin's Creed, he can be found watching Star Trek and eating stuff. Follow him on @jimtrinca.bsky.social, and check out The Trinca Perspective playlist over on IGN's YouTube channel!

Tomb Raider Legacy of Atlantis Lara Croft Crystal Dynamics Remake PlayStation

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Tomb Raider: Legacy of Atlantis Has Incredible Potential, but Modern Additions Like Skill Trees and Hand-Holding Risk Undermining What Made the Original Great

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