Gaming.

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Grand Theft Auto IV – The Legacy Review IGN genbesøger Grand Theft Auto IV som led i en retrospektiv gennemgang af seriens hovedspil frem mod Grand Theft Auto 6. Anmeldelsen fremhæver spillets mindre, men tættere og mere detaljerede Liberty City samt Niko Bellic som hovedperson. På trods af færre funktioner end GTA: San Andreas vurderes spillets atmosfære, realisme og bydesign stadig at holde sig bemærkelsesværdigt godt.

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‘The Library Loads 30x Faster’ – The New Epic Games Launcher Has Arrived and Its Creators Say Its Speedier Than Steam Epic Games har lanceret en preview-version af en helt ny Epic Games Launcher, der er bygget fra bunden med fokus på hastighed og et mindre ressourceforbrug. Selskabet hævder, at biblioteket indlæses 30 gange hurtigere end før, og at launcheren også er hurtigere end Steam i visse scenarier. Den understøtter Windows, macOS og for første gang Linux, mens Fortnite til Linux kommer senere.

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Borderlands 4 on PlayStation 5 and Xbox Series X Has Hit Its Lowest Price Yet at Amazon of Just $20, a 60% Discount From Its List Price De fysiske udgaver af Borderlands 4 til PlayStation 5 og Xbox Series X er sat ned til 19,91 dollar hos Amazon. Det svarer til 60 procent under den vejledende pris og er samtidig den laveste pris, spillet har haft hos forhandleren. Tilbuddet slår også Amazons pris under den seneste Prime Big Deal Days-kampagne.

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29 New Changes in the Zelda: Ocarina of Time Remake — Redesigned Puzzles, Updated Miniboss Fights, and Deeper Dialogue En gennemgang af en forhåndsversion af The Legend of Zelda: Ocarina of Time-remaket på Switch 2 beskriver 29 ændringer sammenlignet med Nintendo 64-originalen. Puslespil, minibosser, fjender og områder som Castle Town og Forest Temple er blevet justeret, mens nye genveje og tydeligere ledetråde skal gøre navigationen mere intuitiv. Spillet udkommer 5. november.

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The Legend of Zelda: Ocarina of Time Remake on Switch 2 is far from a 1:1 remake, instead adding depth and texture that makes this beloved adventure feel instantly fresh. IGN har prøvespillet Nintendos genindspilning af The Legend of Zelda: Ocarina of Time til Switch 2. Spillet er ikke en direkte kopi af originalen, men indeholder redesignede baner, nye dialoger, opdaterede kontroller og en mere detaljeret visuel stil. Anmeldelsen fremhæver især, hvordan ændringer i gåder, kampe og banedesign tilpasser den klassiske oplevelse til moderne spil.

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'The Leeks Stop Here. For Now' — GTA 6 Leaker Releases New Gameplay Video Showing Snippets of the Final Missions, Declares 'The End of the Road' After Crypto Scheme Collapses Den formodede GTA 6-lækker Cyberleek har offentliggjort en ny, uautoriseret gameplayvideo, som angiveligt indeholder klip fra spillets afsluttende missioner. Personen eller gruppen hævder samtidig, at lækagerne stopper, efter en tilknyttet memecoin kollapsede, og at en påstået 200 GB-spilversion ikke vil blive udgivet. Cyberleek har dog truet med at offentliggøre flere spoilers, hvis de bliver presset af Rockstar Games eller Take-Two.

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GTA 6 Didn't Cost More Than $1.5 Billion to Develop, Rockstar Insists, but It's Undoubtedly the Most Expensive Video Game of All Time Rockstar afviser et online-rygte om, at GTA 6 har kostet mere end 1,5 milliarder dollar at udvikle, men virksomheden vil ikke oplyse det præcise budget. Spillet vurderes stadig til at være det dyreste videospil nogensinde. Rockstar har nu 4.711 medarbejdere på tværs af 12 kontorer, og analytikere forventer meget høje salgstal ved lanceringen i november 2026.

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Magic: The Gathering Prepares to Overhaul Its Universes Beyond Strategy With Darkhold Destiny, as First-Wave Marvel Super Heroes Sets Start to See Deep Price Cuts Amazon har sat flere produkter fra Magic: The Gathering-sættet Marvel Super Heroes ned i pris. Tilbuddene omfatter blandt andet Play Boosters, Collector Boosters, Commander-decks og forskellige bundles, med rabatter på op til omkring 35 procent. Artiklen fremhæver også, at Wizards of the Coast planlægger det næste Marvel-sæt, Darkhold Destiny, til april 2027.

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'God I Hate This Timeline' — Fans Slam Battlefield 6 for Skins With Way Too Many Pistols and Spelling Errors Battlefield 6-fans kritiserer nye skins fra spillets seneste battle pass for bizarre detaljer, blandt andet en soldat med fem pistoler og en stavefejl på et mærke. Fejlene har fået nogle spillere til at mistænke, at skins er skabt med generativ AI, men det er ikke bekræftet. EA er blevet bedt om en kommentar, mens fans også peger på, at de fjollede kosmetiske genstande strider mod tidligere løfter fra DICE.

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GTA 6 Developer Rockstar's Next Game Won't Take Another 8 Years to Make, It Has Promised — but What Will It Be? Rockstar Games forventer, at det næste spil efter GTA 6 kan udkomme hurtigere end de otte år, udviklingen af GTA 6 har taget. Ledelsen peger på, at motoren, værktøjerne og holdet allerede er opbygget og kan genbruges i fremtidige projekter. Studiet har ikke afsløret, hvad det næste spil bliver, selv om mange fans håber på Red Dead Redemption 3.

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Pokémon TCG: Delta Reign Booster Bundle Preorders Have Already Gotten a $25 Price Drop at Walmart — Now $55 for Six Packs Walmart sælger i øjeblikket en forudbestilling af Pokémon TCG: Mega Evolution – Delta Reign Booster Bundle til 54,49 dollar for seks pakker. Det er omkring 32 procent under den oprindelige pris og billigere end tilsvarende tilbud hos Amazon og TCGplayer. Salget foregår via tredjepartssælgeren Cataclysm Games, som ifølge IGN har en høj brugervurdering.

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Here's When You Can Play and Preload All the Different Parts of Call of Duty: Modern Warfare 4 Where You Live Activision har bekræftet udgivelsesplanen for Call of Duty: Modern Warfare 4. Spillere med digital forudbestilling får adgang til kampagnen 16. oktober 2026, mens DMZ åbner 20. oktober og hele spillet lanceres 23. oktober. Forudindlæsningen begynder 14. oktober, og pc-versionen kræver 115 GB ledig SSD-plads.

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Ubisoft Cuts 70 Staff From Skull and Bones Dev, Shuts Down Trials Studio RedLynx Ubisoft nedlægger det finske studie RedLynx, som blandt andet stod bag Trials-serien, og afskediger op til 52 medarbejdere. Samtidig mister Ubisoft Singapore, udvikleren af Skull and Bones, 70 ansatte, svarende til omkring en femtedel af studiets medarbejdere. Tiltagene er en del af Ubisofts fortsatte omstrukturering og omkostningsbesparelser med fokus på færre spil.

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Beloved Steam Co-Op Game Peak Appears to Be Coming to PS5 ESRB har tilsyneladende lækket en PS5-version af co-op-spillet Peak, som allerede har solgt over 10 millioner eksemplarer på Steam. En officiel annoncering ventes snart, da aldersklassificeringer normalt gives tæt på udgivelsen. Det er endnu uklart, hvornår konsolversionen udkommer, om den også kommer til Xbox og Nintendo Switch 2, og om prisen forbliver lige så lav som på PC.

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GTA 6 Is Finally Releasing Next Month: Are You Taking Off Work or School? GTA 6 udkommer 19. november 2026 til PlayStation 5 og Xbox Series X|S, og spillets lancering ventes at få mange fans til at tage fri fra arbejde eller uddannelse. Artiklen omtaler økonomiske estimater om et muligt produktionstab på omkring én milliard dollar i lanceringsugen samt virksomheder, der allerede planlægger efter den forventede efterspørgsel. En pc-version er rygtet til første kvartal 2027.

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Send in the Clown Gameplay Trailer Focuses On Its Hilarious, One-and-Only Turn-Based RPG Battle IGN har vist en ny gameplay-trailer for komediespillet Send in the Clown under IGN Fan Fest 2026. Det korte RPG lader spilleren følge klovnen Pockets, som skal redde en 12-årigs fødselsdag ved at rekruttere figurer og samle genstande. Spillet bygger op til én særlig turbaseret kamp og udkommer senere i år til PC via Steam, hvor en demo allerede kan prøves.

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K/DA Reactivates Social Accounts, Fueling Rumors of the Virtual K-pop Group’s Comeback During Worlds 2026 K/DA’s officielle sociale konti er blevet opdateret for første gang i seks år, og tidligere opslag er fjernet. Ændringerne har sat gang i spekulationer om et comeback for den virtuelle K-pop-gruppe, blandt andet i forbindelse med League of Legends’ verdensmesterskab. Riot Games har dog ikke bekræftet nye sange, optrædener eller gruppens nuværende besætning.

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The Fallout Series Is Getting a New Set of Bookends, Now Available to Preorder for a Whopping $325 Officielt licenserede Fallout-bogstøtter kan nu forudbestilles hos Sideshow for 325 dollar. De er fremstillet i polyresin, vejer omkring fire pund hver og håndmales med et antikt metaludtryk inspireret af spilserien. Levering ventes mellem november 2026 og januar 2027, mens købere har 30 dages returret efter modtagelsen.

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Xbox Labs Announced With Goal of Getting New Games and Old Playable in Regular Web Browsers Microsoft lancerer Xbox Labs, et lille team, der skal undersøge nye måder at distribuere og skabe spil på. Initiativet fokuserer blandt andet på at få ældre Xbox- og Xbox 360-spil til at fungere i webbrowsere ved hjælp af teknologier som WebAssembly og WebGPU. Xbox Labs skal udvikle produkter åbent og give flere adgang til spil, men Microsoft har endnu ikke oplyst, hvordan tilbuddene skal finansieres.

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EA Sports' College Football Franchise Reportedly in Jeopardy Amidst Rising Costs and Declining Sales Udviklere omkring EA Sports College Football frygter angiveligt, at serien kan forsvinde inden 2030, selv om spillene fortsat sælger godt. Stigende udgifter til spilleres NIL-rettigheder, licenser og udvikling presser økonomien, mens salget er faldet fra udgivelse til udgivelse siden 2024. EA har også mødt kritik for mikrotransaktioner i singleplayer-indhold, hvilket kan gøre det sværere at fastholde spillerne.

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Brandon Sanderson's Stormlight: War for Roshar Kickstarter Campaign Has Already Crossed $1 Million on Its First Day, Reaching Its Stretch Goals Kickstarter-kampagnen for strategibrætspillet War for Roshar fra Brandon Sanderson og Brotherwise Games har indsamlet over én million dollar på sin første dag. Spillet bygger på Sandersons Stormlight Archive-univers og udkommer efter planen i november 2027. Kampagnen tilbyder flere støttepakker, hvor den dyreste til 295 dollar inkluderer udvidelser, ekstra komponenter og figurer.

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Metro 2039 Is Now Available for Preorder – Here’s What Comes in Each Edition, Including Bonuses Forudbestillingerne til Metro 2039 er åbnet, og spillet udkommer til PlayStation 5, Xbox og pc den 4. februar 2027. Det postapokalyptiske first-person shooter fås i standard-, deluxe- og samlerudgaver med blandt andet udvidelsesindhold, kunstbøger og en Spartan-hjelm i den dyreste udgave. Alle forudbestillinger inkluderer desuden Specialist Pack med opgraderinger til spillerens udstyr.

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Nvidia Brings DLSS 5 to Hogwarts Legacy, But Some Fans Can't Tell The Difference Nvidia bringer DLSS 5 til Hogwarts Legacy i november sammen med en ny model, som ifølge selskabet er dobbelt så hurtig som den tidligere version. Teknologien bruger AI til at tegne dele af spilbilledet på ny, men de synlige forbedringer i Hogwarts Legacy ser ud til at være begrænsede. Samtidig kan DLSS 5 fortsat have en mærkbar påvirkning af billedhastigheden.

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From a Chess-Themed Shooter to Twisted Swamp Horror, Here Are 9 Newly Announced Games From IGN Fan Fest: Fall Edition You Need to Wishlist IGN har præsenteret ni nye spil under Fan Fest: Fall Edition, som kan føjes til ønskelister på Steam. Udvalget spænder fra afslappede overlevelsesspil og kooperative eventyr til horror, detektivhistorier, strategispil og et skakbaseret tredjepersonsskydespil. Blandt titlerne er Akiiwan, Aquamorta, Silk & Sorrow og The Forge: Steel Frontier, mens flere af spillene endnu ikke har en fast udgivelsesdato.

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The Wolf Among Us Remastered Leads the ID@Xbox October 2026 Showcase: Here Is Everything You Need to Know to Watch IGN's Massive Indie Livestream IGN og Xbox afholder et nyt ID@Xbox Showcase den 20. oktober 2026 med trailere, gameplay og annonceringer fra 18 spil til Xbox og PC. The Wolf Among Us Remastered er blandt de bekræftede titler, og der vises også gameplay fra Critical Reflex Games. Showet kan blandt andet ses på IGN, YouTube, Twitch og X.

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The Legend of Zelda: Ocarina of Time Remake on Switch 2 is far from a 1:1 remake, instead adding depth and texture that makes this beloved adventure feel instantly fresh.

IGN har prøvespillet Nintendos genindspilning af The Legend of Zelda: Ocarina of Time til Switch 2. Spillet er ikke en direkte kopi af originalen, men indeholder redesignede baner, nye dialoger, opdaterede kontroller og en mere detaljeret visuel stil. Anmeldelsen fremhæver især, hvordan ændringer i gåder, kampe og banedesign tilpasser den klassiske oplevelse til moderne spil.

Fra IGN

Key Preview Takeaways:

This is not a 1:1 remake: Expanded dialogue, revamped puzzles, and a detailed new art style prioritize adding depth.
Some structural changes convey a more logically constructed world.
Hyrule is a stage: The remake embraces a theatrical style, which reminds me of one of Ocarina’s original inspirations.

Taking my first steps out of Link’s treehouse and into Kokiri Forest, The Legend of Zelda: Ocarina of Time remake came to life. Zelda series producer Eiji Aonuma described this as a “faithful interpretation” of the Nintendo 64 original, and that term stuck with me as I explored Hyrule for more than an hour. This is far from a 1:1 remake: I found familiar rooms containing redesigned challenges that change how the world and player function. I spoke to old friends who had new things to say that added texture to Hyrule and its people. And, I unpacked how its updated controls and detailed art design redefine its old-school combat and puzzle solving for the modern day. This remake isn’t about scope; it’s about depth. The Zelda series is full of old stories, and the Ocarina of Time remake presents itself as a legend retold, with clear theatrical inspirations that have completely changed how I’m approaching it.

First, a quick word about spoilers. I know some of you have never played the N64 game, meaning Ocarina of Time will be a wholly new experience. So, I’m only going to talk about explicitly what I saw in the three chunks I played during the preview. Two sections were split across the first 90-ish minutes of the adventure, while the third and largest section was set in the first dungeon you play as Adult Link, which happens at roughly the one-third mark of the story. So, there will be no spoilers for anything outside of what Nintendo chose to show us.

Back to Kokiri Forest. Not counting last-gen upgrades or spinoffs, this is the series’ proper Nintendo Switch 2 debut, and the leap forward in quality immediately drew me in. Rays of light poke through the trees; moss and mushrooms thrive on the withered bark; our hero’s tunic is decorated with handwoven flourishes – and it’s all running at a crisp 60 fps. A pleasant musical performance recreates the forest’s original MIDI theme with what sounds like just a handful of real musicians. Hyrule has never felt more intimately realized than this.

That applies to the dialogue as well. Later, a Castle Town citizen gawks at Link’s outfit, treating him as some foreign outsider from the distant forest: “Intricate stitching that implies the whole ensemble is handmade!” he excitedly says. The forest’s shopkeeper apologizes to Link for his empty shelves, blaming the stubborn Kokiri ringleader Mido for blocking the path to the Great Deku Tree, where the staff goes to restock.

No matter how hard I try to juke Mido, he won’t let anyone pass without a sword and a shield. Here, the remake shows its willingness to change up Ocarina’s level design. After crawling to the secret area that contains the Kokiri Sword, I find that the challenge to reach it has been overhauled. The treasure chest used to be tucked away in the back corner of a maze with a giant boulder – now it’s perched on a high platform in the center of the room, with the boulder rolling around it. The fact that it’s different is interesting on its own, but the way this change impacts what this room is now asking of you reveals a lot.

This remake isn’t about scope; it’s about depth.

On N64, this obstacle was about learning to recenter the camera behind Link by tapping Z to see around corners and avoid the boulder. It was teaching you how to play one of the first 3D action-adventure games ever made. This remake no longer carries that burden, and that lesson is unnecessary since the right stick provides complete camera control. Instead, since Link can now jump at the press of a button, this room marks the first time you are required to jump in order to reach the treasure. It stripped out an obsolete tutorial and replaced it with a newly relevant one. My hour in Ocarina was stuffed with nuanced differences like this.

I’m fully equipped now that I have the sword and shield, and Link feels excellent to control. His movement felt immediately familiar to Link in Breath of the Wild and Tears of the Kingdom, with a dash, a jump, and snappy third-person gyro aiming with projectile-based weapons like the slingshot. I was running, leaping, and sniping spiders like a pro in the first dungeon, Inside the Great Deku Tree.

I worked my way to the area I was most looking forward to seeing. Ever since Aonuma’s gameplay demonstration, I’ve been interested in Ocarina’s apparent fascination with a more logically constructed world. As seen in one room of Inside the Great Deku Tree, a floating platform from the N64 game has been replaced by a crumbling bridge that’s now actually built into the environment. I came in with the idea that the remake cares about explaining every element of its world, and my preview session only reinforced that theory.

I was on the lookout for more instances of this in the Forest Temple. Atmospheric fog blankets the ground in this old, haunted mansion where Adult Link hunts down four ghosts. After two open-world 3D Zeldas that largely took a break from the franchise’s traditional dungeons, it felt great to push blocks around, navigate through twisted hallways, and collect small keys. I was reminded of how classic Zelda design welcomes different types of logic and reasoning than Breath of the Wild and Tears of the Kingdom’s open-ended approach.

While the Forest Temple’s overall layout was mostly unchanged, it included new cutscenes that fleshed out the dungeon’s antagonists, and yet again showed differences in how specific moments played out. An arena where Link fights a Stalfos used to have a giant hole in the middle. Link needed to avoid it or risk falling to the floor below, but the Stalfos could defy gravity and hover over the gap. You could explain it away as part of this dungeon’s supernatural trickery, but it always looked out of place to me.

Here, that hole has been exchanged for a shallow pool of acid. The skeleton enemies can still walk in it – they don’t have any flesh to lose – while Link takes damage if he enters it. This means the fight plays out the same as it used to: the Stalfos has access to the whole room while Link is constrained to its edges, but the way it’s constructed is more logical. And, when two Stalfos arrive as reinforcements after Link takes out the first, they used to bring a platform with them that filled the room. Now, they just spawn from the acid, making for a more challenging miniboss that forces you to contend with this constraint the whole time.

The fights against the Stalfos were my best look at combat so far. Sword slashes land with a crunchy THWAP, like a loud, powerful, backhanded slap with a striking burst of light to match. Enemy attacks clang off Link’s shield and send him stumbling backwards before his final spin attack sends the Stalfos exploding into a pile of bones. These battles play out with elegant choreography.

A Trip to the Playhouse

Elegant choreography. Atmospheric fog. Handwoven flourishes. Ever since my preview event, I find my mind returning to this anecdote told in an Iwata Asks interview ahead of the release of Ocarina of Time 3D in 2011: On a hot summer day during the development of Zelda for Nintendo 64, designers Toru Osawa, Yoshiaki Koizumi, and Jin Ikeda needed some inspiration. They’d been struggling to figure out how to make swordplay work in a 3D space. Where should the camera focus? How can the player take on multiple enemies at once without getting overwhelmed? These questions spurred a field trip to Toei Kyoto Studio Park, a theme park attached to Toei’s film studios where visitors can see theatrical period drama shows, often featuring samurai.

The heat caused them to duck into a playhouse to cool off. Inside, they watched a stage show where one samurai was fending off a number of ninjas. They noticed that, in this battle, the samurai locked eyes with one enemy at a time. They circled each other as if linked by an invisible tether (or in some cases, literally linked by a chain-sickle), and fought while the others waited their turn to step in. This observation, among others, helped to spark the development of Ocarina of Time’s foundational lock-on Z-targeting system.

I bring this up because it’s clear that live theater inspired Ocarina’s original developers in at least this one key way. As I played the remake of their work, I often felt like I was experiencing Ocarina through the lens of a theatrical period drama at a playhouse.

Take combat, for example: locking onto an enemy narrows the lighting of the scene, putting dramatic emphasis on that invisible tether linking you and your foe. Link weaves back and forth in a dancelike motion, as enemies you aren’t targeting hoot and holler in the background. They, too, are waiting for their turn to strike.

Opening a chest to reap your rewards places an overhead spotlight on whatever treasure you’ve just obtained. Similarly, Floormasters – the iconic disembodied hand enemies that stalk Link from the ceiling – are now telegraphed by a bright spotlight that shines on Link and changes color just before the hand swoops down. These lighting cues feel intentionally theatrical.

The more I thought about this framing on my flight home and in the days that followed, the more I realized just how many design choices fit this theme in some way. Fog covering the ground adds atmosphere as if from a haze machine; Link’s meticulously detailed costume attempts to ground us in the era like it’s a piece of historical fiction; logically constructed puzzles add a practical, handmade feeling to the set; that small handful of musicians could be performing live as the pit orchestra tucked right underneath the stage.

Quest logs are written in past tense, telling an old story: “There once was a young boy named Link who lived in a woodland known as Kokiri Forest.” Even the first reveal trailer opened with a narrator reflecting on ancient events: “Long ago, there was a land called Hyrule…” Ocarina of Time is a play: Hyrule, its stage; dungeons and villages, its sets; enemies and townsfolk, its actors; and Link, its chosen hero.

When I spoke to that Castle Town villager who was stunned to see a boy from the far-off Kokiri Forest, I couldn’t help but think about how sprinting across Hyrule Field to get between the two towns takes less than 90 seconds. A few Peahat enemies dot the landscape, a crack in the ground is begging for a well-placed bomb, but so far, this space that once felt grand and open feels small and quaint in a modern context.

Ocarina of Time is a play: Hyrule, its stage; dungeons and villages, its sets; enemies and townsfolk, its actors; and Link, its chosen hero.

Narratively, characters act like the kingdom of Hyrule is enormous, when practically, it’s very small. Rather than reimagining this version of Hyrule by making it as large as we remember it to be, it reframes each area as a fictional representation of a world much larger than what we actually see. If you’re watching The Wizard of Oz on stage, you understand the yellow brick road to be way bigger than the set shows us. This wouldn’t necessarily excuse any shortcomings that could be found in a Hyrule Field that ends up feeling lackluster by today’s standards – it’s far too early to judge that based on the few minutes I spent with it – but it’s one way to think about how Nintendo altered the meaning of these areas without radically changing their scope.

I was surprised when Aonuma said the team chose to keep the loading screens between areas, but when viewed through this context, it makes a lot of sense: Kokiri Forest, Hyrule Field, and Castle Town are different sets, and the loading screens between them represent the crew swapping them out before the next scene begins. There’s only so much room on the stage.

All of this positions the Ocarina of Time remake as an affectionate retelling of a legend: it is old, it is important, and it is worth revisiting. The storytellers feel there are still things we can learn from it. After seeing just a couple of classic towns and dungeons reborn in this inspired way, I fully agree.

While you're here, check out these recent previews of other big upcoming games we've checked out recently!

And, check out a special episode of Nintendo Voice Chat where we dive deeper into our Zelda preview.

Image credit: Trevor Williams, Getty Images

The Legend of Zelda Ocarina of Time Nintendo Nintendo Switch 2 Remake

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The Legend of Zelda: Ocarina of Time Remake on Switch 2 is far from a 1:1 remake, instead adding depth and texture that makes this beloved adventure feel instantly fresh.

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