Gaming.

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Is it Finally Time for 3D Mario? 14 Predictions for the September 2026 Nintendo Direct and Zelda 40th Anniversary Direct IGN-journalisten Logan Plant fremsætter 14 forudsigelser for Nintendos kommende Direct-præsentationer den 8. og 9. september 2026. Han forventer blandt andet en større afsløring af en genindspilning af The Legend of Zelda: Ocarina of Time, muligvis med udgivelsesdato, nye amiibo og en Zelda-tematiseret Switch 2. Artiklen omtaler også mulige nyheder om Zelda-filmen, Nintendo Switch Online og Twilight Princess.

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'No One Puts Double Fine Out of Business Except for Me' — Tim Schafer Explains Double Fine's 'Creative Awakening' After Leaving Xbox Double Fine er blevet selvstændigt, efter at Xbox solgte studiet fra som led i en større omstrukturering. Studiet beholdt sine intellektuelle rettigheder, men måtte afskedige omkring en fjerdedel af medarbejderne. Tim Schafer siger, at holdet fortsat arbejder på nye spil, blandt andet et Kickstarter-projekt, der potentielt kan føre til udviklingen af Brutal Legend 2.

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gamescom Apologizes for Its Response to Theft of Indie Developers' Equipment and Promises Improved Security Measures gamescom undskylder sin første reaktion på tyverier af udvikleres udstyr under årets messe. Den oprindelige udmelding blev kritiseret for at lægge ansvaret på de berørte udstillere. Arrangøren vil nu gennemføre en særskilt sikkerhedsgennemgang og invitere arrangører af indie-stande til et møde om konkrete forbedringer. Flere i spilbranchen har desuden tilbudt de berørte udviklere hjælp.

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Halloween: The Game Review So Far - IGN IGNs foreløbige anmeldelse af Halloween: The Game beskriver et asymmetrisk horrorspil med gode idéer, men også alvorlige tekniske problemer. Spillet lider blandt andet af nedbrud, fejlbehæftede animationer, ustabil kamp, dårlig NPC-kunstig intelligens og problemer med lyd og interaktioner. Michael Myers er underholdende at spille, men spillet fremstår ifølge anmeldelsen langt fra færdigpoleret.

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The Fury of Dracula Board Game Is a Supernatural Horror Game of Cat and Mouse All the Right Ways IGN anmelder femte udgave af brætspillet Fury of Dracula, hvor én spiller skjuler Dracula, mens op til fire jægere forsøger at opspore ham. Udgaven tilføjer Jonathan Harker som valgfri jæger og en hurtigere spilvariant, men anmelderen er usikker på balancen. Spillets intense jagt og taktiske kampe roses, mens den nye sort-hvide kunstneriske stil vurderes som et tilbageskridt. Spillet får karakteren 8 ud af 10.

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'We Take Copyright Infringement Very Seriously' — Tetris Responds After the White House Launches 'Build the Wall' on Arcade Website Tetris Company reagerer på Det Hvide Hus’ nye spilside Arcade.Gov, hvor klonen “Build the Wall” indgår blandt flere politiske spil. Virksomheden understreger, at Tetris ikke har forbindelse til spillet, og kritiserer budskabet for at skabe splittelse. Samtidig oplyser selskabet, at det tager mulig krænkelse af ophavsretten alvorligt og undersøger sagen.

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9 Video Game and Movie Trailers You Might Have Missed From This Past Week IGN samler ni trailere fra ugens spil- og filmnyheder. Blandt højdepunkterne er nye kig på filmen Street Fighter og spillene Stranger Than Heaven, Until Dawn 2 og Rhapsody in Scarlet. Også Danny Boyles mediefilm Ink, Netflix-filmen La Bola Negra samt indieplatformspillet Rebounder omtales.

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macOS 26.7 Code Hints at Two Unreleased Apple Game Controllers Kode i en macOS 26.7-releasekandidat henviser til to hidtil ukendte Apple-enheder med profiler for spilcontrollere. De har blandt andet D-pad, analogsticks, knapper og haptik, mens den ene også har accelerometer og gyroskop. Referencerne kan være tegn på controllere under udvikling, men kan også vedrøre internt testudstyr, og Apple fjernede koden i den efterfølgende releasekandidat.

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GTA 6 Extended Look Looks Very Different After Rockstar Reveals Heavily Censored Trailer for China Rockstar Games har udgivet en kraftigt censureret version af den 27 minutter lange GTA 6-trailer på den kinesiske platform Bilibili. Scener med dans, narkotika, seksualitet, rygning og blodige lig er blevet sløret eller fjernet. Ændringerne skulle være foretaget omkring 31. august, og Rockstar samt Take-Two har angiveligt fået genudgivelser af den ucensurerede video fjernet.

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'This Move Reflects the Team’s Evolving Workplace Needs' — Bungie Confirms Plans to Sublease Parts of Its Enormous Bellevue Headquarters Following Mass Layoffs Bungie undersøger muligheden for at fremleje 210.984 kvadratmeter af virksomhedens hovedkvarter i Bellevue i Washington. Spilstudiet oplyser, at beslutningen hænger sammen med en digital-first-model og øget brug af fjernarbejde, men at der fortsat vil være et fysisk kontor. Meldingen kommer efter, at 292 medarbejdere blev afskediget i juni, og efter flere års nedskæringer.

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Every Nintendo Switch 2 Game Confirmed for 2026 IGN har samlet kommende spil til Nintendo Switch 2 med bekræftede udgivelsesdatoer fra september 2026 og frem. Listen omfatter både eksklusive titler, tredjepartsspil og nye udgaver af eksisterende spil, blandt andet Fire Emblem: Fortune’s Weave, LEGO Batman: Legacy of the Dark Knight, Kingdom Hearts Collection og 007 First Light. Flere af spillene udkommer også på andre platforme.

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Today Only, This Simple Trick Can Save You $10 on GTA 6 for Xbox Xbox-ejere kan i dag spare effektivt 10 dollar på Ultimate Edition af Grand Theft Auto 6 ved at købe to Xbox-gavekort hos Newegg med kampagnekoden LDSF373. Tilbuddet gælder kun frem til midnat, mens spillet kan forudbestilles for 99,99 dollar og forhåndsinstalleres fra 12. november. GTA 6 udkommer efter planen 19. november 2026.

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Nvidia Will Eventually Bring DLSS 5 to Older RTX 4000 Graphics Cards, But It'll Probably Run Horribly Nvidia planlægger ifølge en medarbejder at udvide understøttelsen af DLSS 5 til GeForce RTX 40-serien, når optimeringen til RTX 50-serien er længere fremme. Teknologien er foreløbig kun lanceret til RTX 50-kort og kan give markante forbedringer i billedkvalitet, men også et stort ydelsesfald. I en test på et RTX 5090 faldt billedfrekvensen med omkring 43 procent.

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'Let's Make It Happen' — Hideki Kamiya Tells Xbox CEO He's Ready to Make Scalebound When She Is Hideki Kamiya siger, at han fortsat er klar til at genoptage arbejdet på det annullerede action-rollespil Scalebound, hvis Xbox ønsker at gøre projektet til virkelighed. Spillet blev officielt lukket i 2017 efter flere års udvikling hos PlatinumGames. Kamiya leder nu Clovers, som arbejder på Okami 2, men håber, at der en dag opstår en mulighed for at vende tilbage til Scalebound.

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Onimusha: Way of the Sword, IGN's Latest 10/10 Game, Is Out Today — Here's How to Get 18% Off the Steam Version Capcoms actionspil Onimusha: Way of the Sword er udkommet til pc den 4. september 2026. Fanatical sælger i øjeblikket en Steam-nøgle med 18 procent rabat, så prisen er reduceret fra 69,99 til 57,39 dollar. Spillet har fået en positiv modtagelse hos IGN og skulle også køre fornuftigt på Steam Deck.

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30 Open World Game Masterpieces You Need to Play - IGN30 IGN gennemgår 30 markante open world-spil, der har været med til at forme moderne spildesign. Artiklen ser blandt andet på Grand Theft Auto-serien, Shenmue, Mafia 2 og Red Dead Redemption og opdeler spillene efter forskellige typer åbne verdener. Fokus er på, hvordan spillene har udviklet fortælleteknik, miljøer og følelsen af at leve i en vedvarende digital verden.

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Capcom Has Been on a 10-Year Winning Streak, and Onimusha: Way of the Sword’s Design Is the Perfect Demonstration of Why the Publisher Keeps Winning Onimusha: Way of the Sword viser, hvordan Capcom kombinerer seriens historiske særpræg med idéer fra moderne actionspil. Spillet henter blandt andet inspiration fra God of War i niveauer og tone samt fra Sekiro: Shadows Die Twice i sværdkampens parader og rytme. Artiklen fremhæver denne tilgang som en del af forklaringen på Capcoms stærke resultater det seneste årti.

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1 vs. 100 Live Was the Kind of Incredible Creative Risk I'd Like to See Xbox Get Back To IGN-journalisten Ryan McCaffrey ser tilbage på 1 vs. 100, et livebaseret quizspil til Xbox 360, hvor spillere konkurrerede om Microsoft Points og andre præmier. Han fremhæver spillet som et modigt kreativt eksperiment, der fungerede, men blev lukket på grund af blandt andet værter, teknik og serveromkostninger. McCaffrey efterlyser mere af den slags nytænkning fra Xbox i dag.

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Is The Ascent 2 in the Works? The Developers Say 'We're Moving The Ascent From a Game to a Franchise' Neon Giant har bekræftet, at studiet har langsigtede planer om at gøre The Ascent til en franchise, men uden at afsløre konkrete detaljer om en efterfølger. Studiet arbejder aktuelt på det cyberpunk-inspirerede førstepersonsspil No Law, der udkommer i 2027. En opdatering til The Ascent med forbedringer til blandt andet co-op og gemte spil er planlagt til november 2026.

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Nintendo Confirms 2 Nintendo Direct Broadcasts for Next Week, Including a Dedicated Legend of Zelda 40th Anniversary Broadcast Nintendo har annonceret to Nintendo Direct-udsendelser i næste uge. Den første finder sted 8. september og fokuserer på The Legend of Zelda i anledning af seriens 40-års jubilæum, mens den almindelige Direct følger 9. september med efterfølgende Nintendo Treehouse-stream. Ocarina of Time-genindspilningen til Switch 2 ventes at være blandt højdepunkterne, men Nintendo har endnu ikke offentliggjort det fulde program.

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'Sometimes It'll Go Well, Sometimes It Won't' — Exodus Romance Options Are Not Gender-Locked for Both Male and Female Leads Det kommende science fiction-rollespil Exodus får romantiksystemer, der ikke er låst til spillerens valg af mandlig eller kvindelig hovedperson. Spillere kan indlede forhold til flere figurer, men deres valg og alliancer kan påvirke relationerne og tvinge dem til at vælge mellem forskellige personer. Spillet udkommer 7. april 2027 til PlayStation 5, Xbox Series X|S og pc.

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Lego Skylines Focuses on the Macro Rather Than the Micro of Lego- and City-Building | IGN Preview IGN har prøvet Lego Skylines, et kommende city-builder-spil fra Iceflake Studios. Spillet fokuserer på en mere afslappet og tilgængelig byopbygning, hvor spilleren bygger med præfabrikerede bygninger baseret på rigtige Lego-klodser. Der er stadig systemer som trafik, arbejdspladser, kriminalitet og brande, men problemerne udvikler sig langsommere og giver bedre tid til at reagere. Udgivelsesdatoen er endnu ikke fastlagt.

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Exodus Narrative Director Explains Romance, Relationships, and Mass Effect Comparisons in New Sci-fi RPG Narrative director Drew Karpyshyn fortæller om rollespillet Exodus og sammenligningerne med Mass Effect, som han tidligere arbejdede på. Spillets valg skal påvirke historien, ledsagernes forhold, romancer og gameplay gennem både mindre dialogvalg og store afgørende beslutninger. Paladin-Immortal-systemet handler samtidig om, hvorvidt spilleren vil bevare sin menneskelighed eller omfavne Celestial-teknologi og større magt.

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How Explicit Are the Sex Scenes in Exodus? It Sounds Like Mass Effect Fans Will Find Them Familiar — and No, You Can't Have Sex With the Octopus Udviklerne bag sci-fi-rollespillet Exodus fortæller, at spillets romantiske scener bliver tydelige, men afdæmpede og smagfuldt udført i stil med Mass Effect. Spillerne kan indlede romancer med flere menneskelige ledsagere, men den intelligente blæksprutte Salt kan ikke romanceres. Romancer kræver aktive valg og kan skabe konflikter mellem ledsagerne. Exodus udkommer til pc, PlayStation 5 og Xbox Series X/S den 7. april 2027.

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Playing Exodus Fills the Mass Effect-Sized Hole in My Heart | IGN Preview IGN har prøvespillet Exodus, et science fiction-rollespil fra Archetype Entertainment, og fremhæver de tydelige paralleller til Mass Effect. Spillet kombinerer tredjepersonsskydning med taktisk styring af gruppemedlemmers evner, udforskning og valg, der påvirker relationer og historien. Forhåndsvisningen roser kampens tyngde og ambitioner, men peger også på et mindre overbevisende dækningssystem og enkelte bosskampe, der føles langtrukne.

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Playing Exodus Fills the Mass Effect-Sized Hole in My Heart | IGN Preview

IGN har prøvespillet Exodus, et science fiction-rollespil fra Archetype Entertainment, og fremhæver de tydelige paralleller til Mass Effect. Spillet kombinerer tredjepersonsskydning med taktisk styring af gruppemedlemmers evner, udforskning og valg, der påvirker relationer og historien. Forhåndsvisningen roser kampens tyngde og ambitioner, men peger også på et mindre overbevisende dækningssystem og enkelte bosskampe, der føles langtrukne.

Fra IGN

Key Preview Takeaways:

Exodus’s space-opera vibes immediately reminded me of Mass Effect, and that seems to be on purpose.
Its Paladin/Immortal morality system reflects the Paragon/Renegade system, but it's going for something deeper than just good/evil and is centered around preserving humanity.
Combat feels like an evolution of Mass Effect, sharing many similartieis with shooting mechanics and controlling your allies' abilities.

When the team at Archetype Entertainment showed us the latest trailer for Exodus before the premiere at Opening Night Live, it seemed like they had understood the assignment – emotional, character-driven stories that felt natural for a space-opera RPG in the vein of Mass Effect. It was the reveal of the party member Salt, an Awakened octopus who pilots a mech to fight and protect her home. Her contentious attitude toward the player-protagonist Jun Aslan contrasts with the deep care she has for her species, and through a brief trailer, showed how it's channeling the sentiments of Interstellar; outside of Matthew McConaughey being in this, too.

But that's one piece of what a game like this needs – albeit, an incredibly important one. I played a little over an hour of Exodus and saw for myself how the gameplay piece of that puzzle comes into place. Punchy third-person shooting with two party members whose tech- and biotic-coded abilities you command through a wheel as time slows, it's like I was playing a legally distinct BioWare game. Archetype isn't shy about the parallels here nor should they be, because from my brief time with Exodus, it seems to be filling that massive void effectively.

I played an entire mission that had me and two party members infiltrating a construct in space called Khonsu, which orbits humanity's new home planet Lidon. Khonsu is also where a species of Awakened frogs, called the Kay, have established their home and maintain Lidon's defense. (For context, Awakened are hyper-intelligent animals found across Exodus' universe.) They'd been enslaved by a hostile human faction run by Gideon Aslan, Jun's half-sibling, the ruler of Lidon, and one of Exodus' main villains. It was our job to free the Kay; and maybe not entirely out of the goodness of our hearts, but in hopes of them becoming key allies, at least.

It's like I was playing a legally distinct BioWare game.

After a few cutscenes to build the mission's tension, I'm immediately thrust into combat and within seconds of touching this new game I'd never played, muscle memory kicked in as if I'd been here before. Elise, who controls a hulking mech, focuses on brute force and has attacks that can break armor, while Suliman is an agile agent who can incisively inflict heavy damage. I largely relied on calling in their abilities whenever they were ready while blasting away with my standard arsenal of rifles and shotguns, but there's a synergistic system that also paves the way for a primer-detantor type of dynamic if you can line things up.

There's a little bit of stealth if you want to get the jump on a few unsuspecting foes, and Suliman's Shadow Step can take out a standard target in one go when used undetected. But Exodus thrives on chunky combat – having Elise fire off a barrage of Knockdown Missiles or using my own ground-pound ability that shoots a line AoE and sends targets into the air, that's the good stuff. Jun has a mix of tools like an EMP grenade, homing explosive, or shield-piercing weapons that are crucial against barriers and a suite of special moves called Glyphs through his sci-fi powered Gauntlet. Even as Jun alone, you can create combos such as freezing an enemy with Petrify and following it up with an Erupt to break them. The cover system is a little iffy, especially for a game that relies pretty heavily on it, but what matters more to me is that Exodus offers the tools you'd want out of an action-RPG paired with solid, impactful gunplay.

As I made my way through Khonsu, a few standard encounters against weaker human enemies were broken up with battles against alien-esque mechanized freaks and more intimidating foes in robosuits in specific combat arenas where cover spots are clearly waist high. Some felt more like bullet sponges, although I didn't mind in the moment as it let me test the extent of the party's powers. The mission concluded with a boss fight against an Awakened bear named Captain Irina Bruin (clever), armor-clad and beastly charging at me and casting huge AoE electrical shocks. However, I was of two minds – boss fights are nice ways to stretch the limits of your combat prowess, but can feel like fitting a square peg in a round hole if the encounter isn't really designed for its gameplay systems. This fight was more about constantly dodging with a little verticality sprinkled in thanks to the battery charged pillars in the arena, and flowed like a war of attrition more than anything. Granted, this was a fairly early-game mission and I did enjoy the challenge, but my hope is that other boss fights play more into the strengths Exodus clearly exhibits.

Around the Edges of Space

Exodus is going to have hub areas and cities to explore, of course. But on missions like this, there are things to find off the beaten path and optional objectives along the way. Some of Jun's abilities work as exploration tools, such as Petrify being used to freeze obstructions or Erupt for clearing obstacles in the way, and you also have Shape to raise floors and a grappling hook to reach specifically marked points to reach optional areas. What's more is that you can come across unique interactions with characters you wouldn't have seen otherwise, which may lead to decisions that can come back around, sway your alignment with party members, or give a little backstory for the mission. This is in addition to finding the more tangible rewards like additional gear, crafting materials, or knowledge points to upgrade Jun's capabilities.

This is an RPG, after all, and Exodus' progression system looks to be pretty robust from what I was able to gather from looking at the menus. I had a prearranged build centered around the Soldier branch, but there were so many more directions you can spec into (Knight, Prodigy, Oracle, Operative, and Specialist, which lean into perks and buffs for different playstyles). I could see several other Gauntlet Glyphs locked at this point in the story as well, so I'm looking forward to seeing if there's an element of build crafting here because so far, combat feels like it has the sauce.

One of the optional objectives tasked me with liberating one of the Kay stuck in the test tube by defeating a wave of enemies and finding a battery to get the power back on in the room. I was rewarded with a goofy dialogue sequence, a little lore on the Kay, an approval boost from Suliman, and an upgrade for my gear. Much earlier in the mission, I had to decide the fate of a dying zealot who only just realized the wicked ways of the faction he was working for; give him a health pack and hope he changes his ways in the future or let him die out. I didn't see the result of this in the demo, but when it comes to choice and consequence in Exodus, the most indicative moment was in the decision you have to make at the end of this mission.

Time To Make History

See, Suliman is an operative of the Tenjin Dynasty, and he would prefer to have the Kay under their direct influence after liberating them. When Suliman proposes altering the Kay's communication beacons to guarantee full loyalty across generations, you can either push back or go along with this plan. I pushed back, questioning the idea of manipulating them after restoring their independence, to which Suliman simply says, "The irony is not lost on me." "That's all you have to say?" Jun replies. Jun implies he was misled and that this is what Gideon would've wanted. They go back and forth about how loyalty ensures protection and the Kay leader you saved isn't entirely opposed to it. And so you're left with a simple choice: make the alteration or leave the beacons alone. What good is security if you give up freedom, right? I leave the beacons alone, promising to protect Khonsu as a matter of principle and Jun concludes, "You don't get to call the shots for sentient beings and claim it's for their own good." Suliman abides by the decision, and is surprisingly supportive in the end.

My interview with Exodus' narrative director

As part of my time playing Exodus, I had a lengthy discussion with narrative director Drew Karpyshyn about how romances and relationships work in-game, the way it gives the player tough choices to make, and how he's embraced the comparisons to his previous work on Star Wars: Knights of the Old Republic and Mass Effect. Read the full interview.

It's a bit textbook in the choice-based RPG playbook, and the dialogue tees this up quite predictably. But I think what's important here is how it's contextualized for the broader story and in the writing itself. This particular scene gives me hope that Exodus knows how to frame these big moments in their delivery and the in-game impact (hinted in the visual bubble next to the choice showing Jun's predictive powers), even if they sometimes boil down to a binary choice. This is also the first big moment where I saw Exodus' version of the Paragon/Renegade morality system – here, it's denoted as Paladin/Immortal. Narrative director Drew Karpyshyn (who you may know as a renowned narrative designer on Star Wars: Knights of the Old Republic and Mass Effect) described this system as more of a push-and-pull between preserving your humanity versus embracing the cold and calculated ways of Celestials, a transhumanist sect that plays a big role in the story, rather than simple good or evil. It may look and function similarly (shown as blue and red choices, respectively), but I expect the system to grow more nuanced as the story goes on and more decisions compile into varying consequences that are reflected in the Jun you'll shape.

From my conversation with Drew Karpyshyn, I get the impression that even with a little levity to take the edge off, there's a greater emphasis on trying to deliver on impactful storytelling.

Exodus has a clear goofy edge to it, especially with the Kay being silly frogs with names derived from the number and section of the ship they were born in. Early in the mission, you meet 42C, who's listening to loud rock music and greets you with an irreverent attitude that contrasts with the serious tone of the initial infiltration cutscene. I am wary of characters being too quippy, like Elise, who keeps commenting on every little thing happening in battle or how things kinda lean into the cheesy sense of humor you'd see on a CW show. I'm not entirely put off by that, I just hope it knows when to reign it in and strike the right balance for a story that seems to wield the gravity of humanity's survival in space.

The consequences of the decisions you make will be exacerbated by the fact that Exodus's story abides by the scientific theories of relativity and time dilation. We'll see characters affected in different ways by the passage of time – and going back to the trailer I mentioned at the beginning, it feels like Archetype knows the material it's working with in order to win the hearts and minds of those who are looking for that emotional space opera adventure. From my conversation with Drew Karpyshyn, I get the impression that even with a little levity to take the edge off, there's a greater emphasis on trying to deliver on impactful storytelling. The inclusion of romance options regardless of gender, being able to play as a male or female Jun, and having a relationship system all folded into your alignments as time warps in a journey to find humanity's new home – Exodus is ambitious in the same way that Mass Effect was, and now I'm expecting it to live up to that ambition.

While you're here, check out these recent previews of other big upcoming games we've checked out recently!

Michael Higham is an editor at IGN who regularly contributes with reviews, previews, features, and news in written and video form. He's usually entrusted with covering long RPGs and tech products, but he's got range when it comes to games. You'll also catch him at events and hosting video content, including IGN's weekly podcast Unlocked.

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Playing Exodus Fills the Mass Effect-Sized Hole in My Heart | IGN Preview

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